rhytmSince, however, the criterion of rhythmicity is emotional and is, subsequently, largely subjective, it is impossible to determine the precise boundaries separating rhythmic from either chaotic or mechanical movements. For this purpose, the descriptive approach, which serves as the foundation for many concrete research of rhythm in language and music, is respectable. in music, the division of a composition into items of equal time worth known as measures, and the subdivision of these measures into an underlying pattern of stresses or accents (see measure). the sample of standard or irregular pulses triggered in music by the prevalence of strong and weak melodic and harmonic beats. The examples come from the complete knowledge collection of the PONS Dictionary and are all editorially licensed.

Rhythmic structures are achieved by means of various parts of symmetry and by the alternation or juxtaposition of compositional elements, such as contrasts or correspondences between lots, individual objects, traces, rendering of actions, areas of light and shadow or color, and spatial divisions. Rhythmic group contributes to the creation of inventive pictures and to the clear perception of artworks by the viewer.

Even during the early stages of the development of folk music, sustained singing was juxtaposed with “quick” songs, which had a higher rhythmic impression. The distinction between rhythm and melody was recognized in antiquity. Dances and music carried out on percussive or plucked devices had been thought-about pure expressions of rhythm. In trendy times, marches and dance music are still thought of to be primarily rhythmic, however the idea of rhythm is extra often related to pulse than with breathing. A one-sided exaggeration of pulsational periodicity results in mechanical repetition and the substitution of regular, equal beats for the alternation of tensions and resolutions.


The alternation of tensions and resolutions (rising and falling phases) endows rhythmic buildings with periodicity, which includes not solely the repetition of a certain sequence of phases (much like the idea of the interval of oscillation) but additionally a “rounding off” that provides rise to repetition and a completeness that permits rhythm to be perceived even without repetition (the concept of the interval in rhetoric and music). A rhythmic effect may be created by a complete composition, in which the development and dénouement are analogous to ascending and descending rhythmic phases. The division of a composition into sections (for instance, by entr’actes in drama) may have a rhythmic impression. The emotional (dynamic) and rational (static) viewpoints usually are not mutually exclusive.

According to one of them, rhythm is an ordered sequence of repetition or a regularity based mostly on sequence or repetition. From this standpoint, the repeated swings of a pendulum or the beats of a metronome symbolize the best of rhythm.