As a results of the intensification of the motor factor, pulsation divides major rhythmic intonational models associated with breathing into equal segments. This division strengthens motor reactions throughout perception and, consequently, intensifies the experience of rhythm. This descriptive strategy is counterposed to the consideration of rhythm as a special high quality that distinguishes rhythmic from non-rhythmic motion. However, there are contradictory definitions for this particular high quality.

In recitation the verse sample prescribed by the principles of versification interacts with the variety of stresses and divisions in the textual content. This variety, which is permitted throughout the metric pattern, plays a dominant function and, as the rhythm of the verse proper, normally works in opposition to the meter. Thus, in syllabotonic versification, during which the meter establishes the proper sequence of sturdy and weak syllables, rhythmic selection is achieved, underneath certain circumstances, by permitting the absence of phrase stresses where they might in any other case be required by the metric stress, and by putting the stress on metrically weak syllables. Additional variety is achieved by the position of word divisions, syntactic pauses, and phrasing accents.

The alternation of melodic rising and falling (cadences) types a “free, asymmetric rhythm,” with items of varying size. This is characteristic of Gregorian chant, as well as many folkloric varieties, from primitive songs to Russian sustained singing.

Rhythmic construction usually consists of segments which might be smaller than compositional divisions and which might be related to physiological periodicities similar to respiration and pulse, the prototypes of two kinds of rhythmic construction. Breathing is nearer than pulse to the emotional sources of rhythm and further from mechanical repetition.

Any kind of movement characterized by the common prevalence of elements, lines, shapes and forms; the move of motion shown by mild and heavy accents, much like recurring musical beats. an everyday, repeated sample of actions. The rowers lost their rhythm. The sample of stress by way of verse. Sprung rhythm has one careworn and several other unstressed syllables to each foot.