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More incessantly, rhythm in language is related only with verse, with its specific, ordered sequence of confused and unstressed or long and quick syllables. Consequently, rhythm is recognized with meter (in music, with the beat or the musical meter). Dance owes its importance less to its motor character than to its plastic character, which is visible. For psychophysiological reasons, imaginative and prescient calls for intermittent motion, a sequence of images with particular durations. In antiquity the type of dance conformed to this description.
According to one of them, rhythm is an ordered sequence of repetition or a regularity based mostly on sequence or repetition. From this standpoint, the repeated swings of a pendulum or the beats of a metronome symbolize the best of rhythm.
The pure cadence is the results of the reducing of the voice at the finish of an exhalation. The raising of the voice earlier than a pause expresses a query or incomplete thought, making attainable the formation of complicated intervals. In the broadest sense, rhythm is the temporal construction of any perceived course ofâ€”a construction fashioned by accents, pauses, divisions, groupings of segments, and correlation of segments by period. Thus, the rhythm of speech consists of pronounced and heard accents and divisions that don’t at all times coincide with semantic divisions, that are graphically expressed by punctuation marks and by areas between phrases.
In recitation the verse sample prescribed by the foundations of versification interacts with the variety of stresses and divisions in … Read More