According to one of them, rhythm is an ordered sequence of repetition or a regularity based on sequence or repetition. From this standpoint, the repeated swings of a pendulum or the beats of a metronome symbolize the ideal of rhythm.
Rhythmic versification, which became absolutely developed in fashionable times, gave rise to accentual rhythm, a 3rd type of rhythm, the others being intonational and quantitative. Accentual rhythm is used in poetry and in music, which differ from one another and from dance. The dynamic and emotional features of rhythm are emphasised within the new verse techniques, which, in contrast to metric versification, have developed not from oral speech however from “artificial” or “e-book” prose. The length of verse strains is regulated not by temporal relationships but by accentual impulses. Freedom and number of rhythm are valued extra extremely than “correctness” (subordination to the rules of versification).
However, the repetition shouldn’t be mechanical. Rhythm is skilled as an alternation of emotional tensions and resolutions. This alternation disappears with precise, pendulum-like repetition. Rhythm combines static and dynamic parts.
The Rhythm Randomizer
Series of beats cannot be rhythmically perceived unless there are variations among them that allow them to be grouped. Owing to variations in syllable size, a verse textual content becomes a measure (meter) for rhythm, however solely as a sequence of long and short syllables. The precise rhythm (circulate) of the verse—its division into arses and theses, which decide an accentuation impartial of phrase stresses—is related to the musical aspect of syncretic art.
Rhythm consisted within the alternation of poses (schemas) separated by “signs” or “factors” (the Greek word semeion captures both of those meanings). In quantitative rhythm beats usually are not impulses but boundaries of segments of contrasting lengths, to which period-values are assigned. The perception of time approaches that of area, and the concept of rhythm, that of symmetry. The subordination of temporal relationships to specific formulation, which distinguishes dance from other forms of motion, is transferred to genres in a roundabout way associated with the dance, including the epic, in which a verbal text is organized into pre-established verse formulas.
As a results of the intensification of the motor factor, pulsation divides main rhythmic intonational units associated with respiratory into equal segments. This division strengthens motor reactions throughout perception and, consequently, intensifies the experience of rhythm. This descriptive method is counterposed to the consideration of rhythm as a particular quality that distinguishes rhythmic from non-rhythmic movement. However, there are contradictory definitions for this special quality.